Beatles Act Naturally - teksty piosenek, wg trafności (od zawsze) - Teksciory.pl

Act Five - Peter Hammill

"CHORUS Late that evening the Lady Madeline again succumbed to the power of her dark afflictions. Her brother and her friend sat by her and Montresor, although familiar with many of the gross and wonderful phenomena"

Act It - Smogus

"Thanks for calling me an asshole You did your job right You want a major deal You've a fistfight But I think you've misjudged me You're the wrong side Any last regrets you're going down tonight Think about"

Act Two - Peter Hammill

"THE VOICES House. Wet Vaults. Caissons. We breathe... OF THE Undercroft. Abutments. Stones. Wood. Breathe... HOUSE Buttresses. Bressumers. Spandrels. We Breathe... Columns and Pillars. Shafts. Arches."

Act Four - Peter Hammill

"(The following morning) MADELINE That must be Montresor... Good morning! Oh, how lovely to see you - since Roderick told me you were coming I have been so excited. Now you are here, all will be well"

Act Three - Peter Hammill

"(Immediately afterwards, Madeline Usher enters, in a trance) MADELINE Carriages at seven I shall wear the flower he gave me It's so cold here deep beneath the lapping water... The water The water My"

Act Six - Peter Hammill

"CHORUS Three endless days of bitter grief passed and Montresor abandoned any attempt to cheer his friend. Then came a sudden change in Usher's demeanour, whose significance he was soon to comprehend. Now"

Act Fast - The Temptations

"You show discontent That's fine, I don't care You're never happy anyway You care way too much About what everyone else thinks They might have liked you But then you had to change Good times will come People"

Disappearing Act - Henry Rollins

"I'm distracted not attracted You attach without connection As I self serve my diffracted mind I don't want what I need I don't care about the scars I leave Your name and smile a thrown out file As soon"

Balancing Act - Cool Hand Luke

"I've got to climb to the top Never stop, until I reach it Until I feel that I'm good And that I'm in control Of life and my thought When I'm not, I still preach it Because they're all going to see if I"

Act One - Peter Hammill

"'''THE CHORUS''' The chorus has often an unenviable role to play, often a distasteful task to perform; summoned as witness to uncounted crime, she's the silent accomplice of all, then she turns and comments"

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